by David duChemin
Publication Date: October 23, 2011
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Review & Description
Photographically Speaking is, conceptually, a follow-up to the bestselling Within the Frame. In Within the Frame, David duChemin tackled the essential need for passion and vision in photography, and discussed the tools photographers have at their disposal. But, while photographers have increasingly become adept at discussing technology and technique--and there is, indeed, acknowledgment of the need for passion and vision--there's a startling silence when it comes to discussing photographs themselves. "I like it" or "Great shot!" may be a heartfelt compliment, but it doesn't help anyone understand why that image connects and communicates so well with the viewer.
Photographically Speaking is a practical primer on visual language. The overarching question at the heart of this book is, "What makes a good photograph?" Why is this important? Because once a photographer understands what makes a good photograph--once he or she learns the visual language--then that photographer is well on their way to being able to "speak" that language, creating stronger images that communicate and connect their intention with the viewer.
The discussion about visual language is profoundly pragmatic and useful, but for too long the books that discuss it have been considered "academic," esoteric, and difficult. Here, duChemin writes in an approachable, comfortable, and inspiring way, translating this seemingly difficult conversation into something that the bulk of photographers can understand and then actually put to use in order to make good photographs.
The first part of the book puts this entire conversation in context, then the second part digs in to discuss the elements of visual language--from lines and shapes to color, depth of field, composition, and exposure--and its devices. The third part brings it all together in a discussion of 20 images, and the elements and decisions that went into their creation, all written with the understanding that if photographers begin to understand photographs more consciously, they will be better equipped to use their gear and techniques in the intentional creation of more compelling photographs.
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